DirectorS: Pierre Coffin, Kyle Balda
Screenplay: Brian Lynch
Voice Cast: Sandra Bullock, Jon Hamm, Pierre Coffin, Michael Keaton, Alison Janney, Steve Coogan, Geoffrey Rush
Running Length: 91 minutes
Synopsis: Minions Stuart, Kevin and Bob (Pierre Coffin) are recruited by Scarlet Overkill (Sandra Bullock), a super-villain who, alongside her inventor husband Herb (Jon Hamm), hatches a plot to take over the world.
Review: With the widespread (and totally understandable) popularity of the Minions, it was only a matter of time before they broke away from the Despicable Me franchise and became a standalone film. And make no mistake, this movie is catered specifically for Minions fans, which means it will do well enough at the box office, but is unlikely to win over any moviegoer who isn’t already enamoured with the yellow creatures.
The best part of the movie is the first half hour, in which we see the Minions serving various “bad guys” from prehistoric times until they go into a self-imposed exile after a disastrous stint with Napoleon. Although most of the sight gags have already been featured in the film’s trailer, but the inventiveness of the various skits still proves humorous despite having been revealed beforehand.
However, the rambling plot starts to unravel once the film moves into the 60s, where the trio of Minions Stuart, Kevin and Bob (all voiced by director Pierre Coffin) behave almost like the Three Stooges, trying their best to please their new master Scarlet Overkill (Sandra Bullock in a very uninspiring, blasé vocal performance). Though it can be quite entertaining to watch their antics, the entire last hour of the film feels like a string of loosely connected skits rather than a coherent whole, and the eventual denouement feels almost like writer Brian Lynch was high on hallucinatory drugs.
Unlike Despicable Me and its sequel which had a bit of heart, this prequel completely lacks any brains or heart, and is enjoyable solely on a very superficial level. The film is bright and colourful and will certainly appeal to the key audience group of under-10s, and the 60s setting does inject a good number of musical numbers that would add some appeal to adult viewers. While it isn’t a bad movie in any way, there’s nothing really good about it either, and is instantly forgettable once the credits roll (do keep your 3D glasses on during the entire credits sequence to make it really worth the additional 3D price of entry).
Rating: * * ½ (out of four stars)