Director: Jason Zada
Screenplay: Sarah Cornwell, Nick Antosca, Ben Ketai
Cast: Natalie Dormer, Taylor Kinney, Yukiyoshi Ozawa, Eoin Macken
Running Length: 94 minutes
Synopsis: The story is set in the Aokigahara Forest, a real-life place in Japan where people go to end their lives. Against this backdrop, a young American woman comes in search of her twin sister, who has mysteriously disappeared. Despite everyone’s warnings not to “stray from the path”, Saraa (Natalie Dormer) dares to enter the forest to discover the truth about her sister’s fate.
Review: For horror aficionados, The Forest does not bring anything new to the table – it is a run of the mill horror film that, whilst showing some promise and serving up some decent “boo” moments in the first hour, completely unravels in its final reel. While no one expects new ground to be broken in a genre as well-covered as the haunted house (in this case a haunted forest, which isn’t exactly new either), at the very least the film should deliver a coherent plot and a proper denouement. Both are unfortunately missing in The Forest (pun not intended).
While it really may not be the best idea in the world to follow your missing twin sister into a “suicide forest” in Japan (which is a genuine location, by the way), it’s a somewhat interesting premise to base a horror movie on. Unfortunately, the plot of The Forest is severely muddled, and the film concludes with multiple plot threads still hanging in mid-air, which diminishes the horror element simply because audiences are left puzzling over these plot points than focusing on the horror. For example, it is never clear if there is indeed a presence in the forest that is actively seeking out new victims, or if it is simply an outward manifestation of one’s internal demons.
Natalie Dormer tries her best to put forth a convincing performance, but we’ve definitely seen better work from her elsewhere. Since almost the entire film is focused on Sara, it is almost irrelevant that she is playing two characters in the film (conveniently – and some would say lazily – demarcated by different hair colours). While she does a great job looking scared, there’s very little depth of character to be seen. Taylor Kinney is ostensibly the romantic interest in the film but comes across as a dimensionless character existing solely to advance the plot at key points in the film.
There’s a sense that too much of The Forest has been left on the cutting room floor – there are moments in which an almost good horror film seems to be peeking out from behind the obfuscated plotting, but the speed at which the film hurtles towards its confusing, unsatisfying conclusion seems to suggest that given a different edit, The Forest would have had more of a fighting chance to leave a positive impression.
Rating: * ½ (out of four stars)