Genre: Sci-Fi, Drama
Director: Denis Villeneuve
Screenplay: Eric Heisserer, based on the short story “Story of Your Life” by Ted Chiang
Cast: Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, Mark O’Brien, Tzi Ma
Running Length: 116 minutes
Synopsis: Taking place after alien crafts land around the world, an expert linguist is recruited by the military to determine whether they come in peace or are a threat.
Review: Arrival is a revelation in more ways than one – not only is it another feather in Denis Villeneuve’s increasingly crowded cap, it’s also Amy Adams’ best performance of her career so far, almost certain to score her another Academy Award nomination (and likely her first win), and one of the smartest sci-fi movies to hit the theatres in quite some time.
What’s truly refreshing about Arrival is how it bravely defies almost every single cliché of alien movies, and nothing will play out like what most audiences think they would. The trailers may seem to have given the plot away, but rest assured that there are plenty of surprises still to be had. To discuss more about the plot would be spoilerly, but trust that your mind will be thoroughly screwed (and possibly blown) by the time the credits roll.
Amy Adams has turned in solid work throughout her career, but this is certainly a defining moment for her. She is understated but nuanced, and manages to convey a complexity of emotions with minimal theatrics. In Arrival the lead performance is critical to the success of the film, and while supporting characters like Renner and Whitaker are perfectly fine, Adams is what turns the film into a superlative experience.
Denis Villeneuve has impressed time and again with his films, but Arrival manages to achieve the perfect balance of a cerebral film that still has mainstream appeal. While the pace might come across as ponderous to some, his patience in letting the audience slowly take to the engaging story of Arrival is why the film packs such a punch eventually. Add to the fact that the film is beautifully lensed by Bradford Young and accompanied by a spare, haunting score by Johann Johansson, and the result is hardly surprising – a film that is immediately one of the best of this new year, an instant classic, and warrants a repeat viewing on the big screen to take all its minutiae in.
Rating: * * * * (out of four stars)