Burlesque * * *

Genre: Musical

Director: Steve Antin

Writer: Steve Antin

Cast: Cher, Christina Aguilera, Stanley Tucci, Kristen Bell, Cam Gigandet, Eric Dane

Running Length: 119 minutes

Synopsis: Escaping from her small town and dreaming to make it big in LA, Ali (Christina Aguilera) stumbles upon The Burlesque Lounge, a musical revue that has seen better days. She manages to secure a job as cocktail waitress from Tess (Cher), the club’s proprietor, but aspires to perform on the club’s stage one day. Along the way, Ali garners the affection of Jack (Cam Gigandet), bartender at the club and a struggling musician, makes an enemy of Nikki (Kristen Bell), a star performer. She also has the help of Sean (Stanley Tucci), the keen-eyed and sharp-witted stage manager. Ali’s eventual success on the Burlesque stage restores the club back to its former glory, but financial woes still plagues the club and threatens to shut it down for good. 

Review: Burlesque is not a masterpiece by any measure, but that doesn’t mean it is not an entertaining movie – Christina Aguilera’s acting debut is unimpressive, but at least has a killer voice and a hot-enough body that is she uses to their full extent in the movie. She also wisely surrounds herself with capable actors and delectable eye candy, and it also helps the song and dance sequences are great fun to watch. And then, of course, there’s Cher, who finally returns to the big screen after a seven year hiatus. The 64-year-old veteran seems to be pumped full of botox,  but looks incredible for her age, plus she shows that both her acting chops and pipes are still in fine form. This may be Christina’s star vehicle but Cher roundly beats her in every department.

Steve Antin has aimed for a film that seems like a mix between Cabaret and Chicago, and although it isn’t quite there, Burlesque does score a number of triumphs. One of the more impressive moments of the show is Cher’s showstopping performance of a power ballad, unsurprisingly written by Diane Warren. And despite much focus on the Christina-Gigandet romance, the duo with the most chemistry is actually Cher and Stanley Tucci, who plays her gay BFF and their interaction serves up the best emotional scenes of the show. For audiences who prefer to focus on the aesthetics, Burlesque is also chock-full of beautiful people of both sexes, ranging from the gorgeous Kristen Bell to the sizzling hot Cam Gigandet.

That said, Burlesque’s plot is paper-thin with minimal characterization, and the decision to let the running time stretch to almost 2 hours actually hurts the film – there simply isn’t enough to sustain such length. In fact, there are probably some music videos out there that boast more plot than what Burlesque has on offer. Also, while the song and dance sequences are impressively staged, they are subject to way too many quick cuts and edits, which distracts from the action.

Despite the flaws, Burlesque remains far more watchable than other celebrity star vehicles like Glitter (Mariah) and Crossroads (Britney). The film doesn’t push any boundaries and is about as superficial a movie as can be, but like real life, sometimes it’s just fun to play in the shallow end of the pool. This is a bona fide guilty pleasure.  

Rating: * * * (out of four stars)

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Love and Other Drugs * * *

Genre: Romantic Comedy

Director: Edward Zwick

Writers: Charles Randolph and Edward Zwick & Marshall Herskovitz, based on the book Hard Sell: The Evolution of a Viagra Salesman

Cast: Anne Hathaway, Jake Gyllenhaal, Hank Azaria, Oliver Platt, Josh Gad, Gabriel Macht, Judy Greer

Running Length: 113 minutes

Synopsis: Set between 1996 and 1999, the movie traces the development of Jamie Randall (Jake Gyllenhaal) as a drug sales rep in Pfizer, from his early difficulties with attaining his quotas, to the release of Viagra in the market and his meteoric rise selling the most desired pharmaceutical product of that period. At the same time, Jamie begins a relationship with Maggie (Anne Hathaway), who is suffering from early onset Parkinson’s. Maggie is volatile and brittle, and even the glib Jamie finds difficulty in breaking her defenses down to engage in a serious relationship.   

Review: Although this is officially one of the first romantic comedies to hit local screens in 2011, Love and Other Drugs is already a shoo-in to be one of the best we’ll see this year. Purveyors of this genre of movies are not demanding – likeable leads with good chemistry are all that’s needed. However, Love & Other Drugs takes it one step further, and presents audiences with a movie that’s more than a run-of-the-mill romantic comedy. Unlike most romantic comedies, Love and Other Drugs comes off as being a lot more “real” than the usual boy-meets-girl shtick. The problems that Jamie and Maggie face are pretty close to real life, unlike most of the fluffy romantic complications that onscreen couples face. It still plays out some of the conventions of the genre, but at least the film gives a less superficial treatment than usual.

This is Anne Hathaway and Jake Gyllenhaal’s second romantic pairing (the first being Brokeback Mountain), and they have more than enough passion and chemistry on screen to make the romance believable. It helps, of course, that they are both pretty faces (with pretty bodies to boot – which we see a fair bit of), but their acting abilities go far beyond that. Jake Gyllenhaal plays both the glib salesman and devoted partner well, but Anne Hathaway gives the more impressive, multi-dimensional performance as the damaged Maggie. Hathaway has certainly come very far since her Princess Diaries days and is now rightfully considered one of the best young actresses in Hollywood.

Some viewers may find the copious amounts of sex and flesh in the first half of the movie (and not just of the leads) objectionable, personally I found that the visual way that Edward Zwick had employed to represent the couple’s progression in their relationship was actually quite effective. What I didn’t really care for is the inclusion of Josh Gad’s character, who seemed to exist only as juvenile comic relief and really jars with the rest of the movie. Also, the main theme of Love doesn’t ever really gel with the Other Drugs theme, and I for one would have loved to see more of the workings of the pharmaceutical industry. Flaws aside, Love and Other Drugs is definitely still an enjoyable romantic film with a number of great performances, and a surprising amount of depth and poignancy that’s rarely seen in the genre.

Rating: * * * (out of four stars)

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