Director: Jon Watts
Screenplay: Chris McKenna, Erik Sommers
Cast: Tom Holland, Angourie Rice, Jacob Batalon, Cobie Smulders, Marisa Tomei, Jon Favreau, Samuel L. Jackson, Zendaya, Jake Gyllenhaal, Martin Starr
Running Length: 130 minutes
Synopsis: After the events of Avengers: Endgame, Peter Parker (Tom Holland) and his friends go on summer vacation to Europe.
Review: Really, the only thing working against Spider-Man: Far From Home is the immediate preceding Spider-Man movie. No, not Homecoming, but Into the Spider-verse, which by every measure still ranks as the best Spider-Man movie made. Far From Home has also been positioned as the true concluding film of the MCU’s Phase 3, and after the very heavy-going Endgame, it feels like a (very welcome) palate cleanser, a light and breezy film that more accurately mirrors the comic universe which first birthed these movies.
It’s undeniable that in general, the stars of the MCU are not spring chickens anymore, and so from a financial standpoint, it makes perfect sense to start pivoting the heavy lifting to younger actors waiting in the wings. Far From Home is the first movie to officially do so, and Tom Holland (who’s actually already been in four MCU movies before this, despite being just 23 years old) proves once again that he’s the best actor to have physically donned Spidey’s suit. Unafraid to present himself as an awkward goofball onscreen, Holland has great comic timing and a genuine chemistry with Zendaya, and yet has enough thespian talent in him to carry the emotionally heavier scenes with great aplomb.
The key difference between the typical MCU movies and Far From Home is that, unlike most of the recent titles, Far From Home isn’t building towards a greater overarching narrative, but instead just focused on world-building in the Spider-Man universe. This frees the film from the “shackles” of being a cog in the wheel, while fleshing out the franchise’s key characters in a meaningful manner. That the screen time of Far From Home is almost even split down the middle between battling world-threatening villainy and a coming-of-age rom com is exactly why it works so well – it never loses sight of the “smaller” aspects of the Peter Parker/Spider-Man universe, which makes it much easier for audiences to identify with the central character and his friends.
Visual excellence is par for the course these days for superhero movies, but apart from the usual top-notch CG imagery, there are some very creative sequences in Far From Home that are worthy of special mention, in particular an extended scene where Spider-Man needs to battle his foe in the midst of some really mind-bending image trickery. Rarely would I recommend viewing a title in IMAX 3D, but this is certainly a film that makes a more compelling case to do so.
Also, the mid and end-credits codas (yes there are two this time, making up perhaps for the lack of one in Endgame) are actually important game-changing scenes that will likely see far-reaching impact in the Spider-Man films moving forward (and very possibly the Phase 4 movies in the MCU), and well worth sitting through the rather lengthy end credits crawl.
Rating: * * * (out of four stars)