Director: Ruben Fleischer
Screenplay: Jeff Pinkner, Scott Rosenberg, Kelly Marcel
Cast: Tom Hardy, Michelle Williams, Riz Ahmed, Jenny Slate, Reid Scott, Michelle Lee
Running Length: 112 minutes
Synopsis: Investigative journalist Eddie Brock (Tom Hardy) attempts a comeback following a scandal, but accidentally becomes the host of an alien symbiote that gives him a violent super alter-ego: Venom. Soon, he must rely on his newfound powers to protect the world from a shadowy organisation looking for a symbiote of their own.
Review: The only question on my mind when the credits started rolling on Venom was “what happened?” Where was the dark, gritty movie that the trailers advertised? Why does it feel like director Ruben Fleischer made two totally different movies, but couldn’t decide which version of Venom to go with? Honestly, Venom in its current form is a mess, and its only saving grace is a somewhat decent performance by Tom Hardy, as well as some genuine laughs that could be had – as long as you go into the cinema cognizant that this film is a weird love-child between Deadpool and Spider-Man.
A large part of the problem with Venom is its screenplay – the group effort from Jeff Pinkner, Scott Rosenberg and Kelly Marcel is unfocused and takes too much time to get to the point, with an overlong first act that sets up the story but presents Eddie Brock as a bumbling buffoon more than a sharp, street-smart reporter he’s supposed to be. It’s only when Venom starts manifesting himself that the proceedings get more interesting, but then the film pivots too far in the other direction, presenting the combination of Eddie and Venom more like bros than antiheroes, ineffective buddy cops rather than a powerful alien symbiote and its unwilling human host. It’s entertaining, without a doubt, but having seen Tom Hardy in far more impressive performances, this does feel like a step down.
The other actors fare even worse than Hardy – Michelle Williams struggles to do something meaningful with her bland, rote love interest character, and the usually interesting Riz Ahmed is unable to break out of the clichéd confines of his megalomaniac role. Both actors are literally there as plot devices, and not even very essential ones at that.
It doesn’t help that Fleischer has made some pretty questionable directorial choices as well – he somehow decided that the best way to showcase the (anti)climactic final showdown between two near-black characters is at night with minimal lighting, and similarly the action sequences throughout the movie are not particularly well-choreographed nor visually interesting. The effects also come across as rather sub-par (especially when we are all so used to the top-tier effects in both Marvel and DC superhero movies), and it’s even more apparent in IMAX 3D (save your money and go for 2D).
In a recent interview, Tom Hardy groused that all his favourite parts of Venom was cut out of the movie, and there is a strong sense that what he said is true. Venom is a wasted opportunity to take the Sony part of the Marvel Cinematic Universe into a different direction. While obviously Sony will have a vested interest to milk more titles out of the Venom sub-universe (and clearly indicated in the film’s mid-credits), the way this first film ended up will likely put the franchise’s future in jeopardy.
Rating: * * (out of four stars)