Tag Archives: 2 stars

Due Date * *

Genre: Comedy

Director: Todd Philips

Writers: Alan R. Cohen, Alan Freedland, Adam Sztykiel, Todd Philips 

Cast: Robert Downey Jr., Zach Galifianakis

Running Length: 100 minutes

Synopsis: Peter Highman (Robert Downey Jr.) is a stressed-out businessman who is trying his best to get home in LA from a business meeting from Atlanta in time to catch the birth of his first child, but a chance meeting with aspiring actor Ethan Tremblay (Zach Galifianakis) and a series of unfortunate events later, the unlikely duo is forced to pair up for a very eventful road trip across America. 

Review: If you were Todd Philips, how will you choose to follow up the highest grossing R-rated comedy of all time (The Hangover)? The obvious answer is The Hangover 2 (which of course is coming our way in 2011), but in between the two Hangovers, Philips had found a chance to squeeze in Due Date, which in many aspects is almost like a 21st century update to Planes, Trains and Automobiles. 

Starring one of the hottest leading men in Hollywood, as well as a rising star in the comedy genre, Due Date seems like a movie that cannot fail. However, the end product is a little iffy – while much of Due Date is entertaining and there are a good number of laugh out loud moments, the pacing of the film is off and the conclusion of the film is a textbook definition of the phrase “fizzle out”. While I don’t think Philips was gunning for the same success as The Hangover, this is quite apparently a quickly hashed out movie designed to make some box office bucks before the Oscar big guns and year end blockbusters start arriving at the cinemas. 

That in itself is not a crime, of course, but I just wished that Due Date could have stepped up its game a little more – both Robert Downey Jr and Zach Galifianakis are more than adequate for their roles, but there is so little character development that all the potential chemistry between the duo is lost in the film’s two dimensions. The screenplay’s attempts to inject some sentimentality into the film don’t really work well either, and come off feeling half-baked and forcefully played out. What’s worse, however, is the way events unfold in the final reel, stretching credibility to the max and ending the film on a very limp note. This is possibly one of the worst denouements in any comedy I’ve seen this year, and that’s saying a lot. 

However, Due Date is definitely not a total wash – there are enough funny (though rather expected) scenes to fill the film’s running time, with the best moments in the film coming from the scenes where Peter loses control of his emotions and lashes out at Ethan in one way or another. There are also a fair number of action sequences in the film, and these surprisingly are quite effectively shot. On top of that, Due Date manages to work in some really picturesque shots of the drive across America, and it also features an eclectic, fun soundtrack, something which many people feel is a prerequisite of any good road trip movie. If you’re into buddy movies, Due Date is decent, middling fare – here’s hoping Philips will be able to achieve something greater when The Hangover 2 comes around. 

Rating: * * (out of four stars)

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Sex and the City 2 * *

Genre: Comedy / Drama

Director: Michael Patrick King

Writer: Michael Patrick King

Cast: Sarah Jessica Parker, Kim Cattrall, Cynthia Nixon, Kristin Davis, Chris Noth, Evan Handler, David Eigenberg, John Corbett

Running Length: 146 minutes

Synopsis:  It’s been another two years since freelance writer Carrie Bradshaw (Sarah Jessica Parker) has finally married the man of her dreams, John Preston aka “Mr Big” (Chris Noth). However, beneath the marital bliss lies some discontent – Carrie is afraid that the spark has gone out of their relationship, especially since Big seems more intent to stay home and watch TV then to go out and paint the town red. Her three best friends are also each having problems of her own: Samantha (Kim Cattrall) enters menopause and is trying her best to beat the clock with handfuls of vitamins and supplements; Miranda (Cynthia Nixon) is overworked and underappreciated in the law firm she works in; and Charlotte (Kristin Davis) finds her two children to be more than she can handle, and though her buxom nanny is a great help, she’s afraid that the nanny’s presence may cause Harry (Evan Handler) to stray. After a chance meeting with a sheik, the girls are whisked off to an all expenses paid, one-week vacation in Abu Dhabi, where Carrie chances upon old flame Aidan (John Corbett), and old emotions bubble once again to the surface. Will Carrie’s ever after be as happy as she envisaged it would be?

Review:  I’ll be the first to say that I am a big fan of the Sex and the City series, and even though the first movie had quite a few flaws, I was more than willing to let them slide and to go along for the ride. The huge box office success of the movie practically ensured the existence of this sequel, but one cannot help but wonder if it was a good idea. In the first movie, all four women had storylines of their own, which at least managed to justify the epic running length. In this second film, however, none of the women have very substantive storylines, and Samantha and Miranda are both reduced to being nothing but plot devices (just like all the men in the movie) – yet the movie is only 2 minutes shorter than its predecessor. It’s an incredibly bloated and indulgent movie, and there’s so little narrative progression and so much excess that it becomes overwhelming.

And “excess” is truly the keyword that permeates the entire movie. Sure, the out-of-reach fashions and accessories may be interesting, but this time round costume designer Patricia Fields seems to have been equipped with an ugly stick, as some of the fashions are truly gaudy and hideous. A purported $10 million wardrobe budget doesn’t manage to buy good taste, unfortunately. And yes, it’s supposed to be an escapist fantasy, but sometimes it stretches believability a little too much, and throughout the twelve-year lifespan of Sex and the City, it has never been this apparent.

And then there’s the sojourn to “Abu Dhabi” (actually Morocco, and it’s easy to see why Abu Dhabi declined to be part of this movie), which to me is the lowest point in the entire Sex and the City franchise. The name of the game after all is Sex and the City, and the characters do best when they are on their home ground of NYC, not a foreign country. This sequel makes the mistake of keeping the ladies on a foreign land for what seems like more than half the running length, in which all they do is go from tourist locale to another tourist locale. Was this meant to be a travelogue? The Mexico interlude in the first movie was somewhat acceptable because there was a fair bit of plot development, but the way the ladies behave in Abu Dhabi, particularly Samantha, crosses the line of comedy and enters into the realm of bad taste and crassness. It’s so belittling of the Muslim faith and the cultures and traditions of a foreign land that I felt mildly apologetic simply by sitting through it. Sex and the City is supposed to be fun, but it should not be at someone else’s expense.

There are still some brighter moments in the film, where what made the TV series so good comes to the forefront – an example would be the scene where Miranda and Charlotte commiserate about the difficulties of motherhood over Cosmopolitans, and for a moment one is transported back in the better days of the franchise. Unfortunately, too much of the movie is like the (rather painful) Liza Minelli performance of “Single Ladies” early on in the film – everyone looks older, and although their presence is somewhat appreciated, it eventually feels a little too desperate and sad, even for fans. Here’s hoping that Michael Patrick King finally realizes that Sex and the City’s shelf life is up, and to quit while he’s ahead, before the franchise makes a seamless transition to Golden Girls: The Movie.   

Rating:  * * (out of four stars)

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Valentine’s Day * *

Genre: Romantic Comedy

Director:  Garry Marshall

Writer: Katherine Fugate

Cast: Ashton Kutcher, Jennifer Garner, Jessica Biel, Anne Hathaway, Jamie Foxx, Julia Roberts, Bradley Cooper, Patrick Dempsey, Jessica Alba, Eric Dane, Hector Elizondo

Running Length: 125 minutes

Synopsis: About 20 different characters populate the various stories that are told in this movie, set (of course) on Valentine’s Day and in the city of Los Angeles. The central storyline revolves around Reed Bennett (Ashton Kutcher), a florist, who has just proposed to his girlfriend Morley (Jessica Alba), who unfortunately has commitment issues. His best buddy Julia (Jennifer Garner) has hidden away her romantic feelings for Reed, and instead is involved with a philandering doctor, Harrison Copeland (Patrick Dempsey). Separately, TV sports news reporter Kelvin Moore (Jamie Foxx) has been tasked to do man-in-the-street segments on love for Valentine’s Day, but is a cynic and doesn’t believe in love. However, he is suddenly presented with a potential love interest in the form of Kara Monahan (Jessica Biel), who is the agent for star quarterback Sean Jackson (Eric Dane). Sean seems to be troubled by more than the fact that his football contract is ending, and decides to call a press conference to announce exactly why.

Other tales abound: two strangers on a plane (Bradley Cooper and Julia Robert) manage to make a connection during a 14-hour flight; an old, happily married couple’s (Hector Elizondo and Shirley MacLaine) marriage suddenly doesn’t seem quite as happy to one of them when a secret is revealed; a secretary (Anne Hathaway) who is also working as an “adult phone entertainer” finds that her side job is interfering with the budding relationship she has with her boyfriend (Topher Grace); two young couples (Taylor Lautner and Taylor Swift, and Carter Jenkins and Emma Roberts) contemplate the possibility of engaging in pre-marital sex before their high school graduation; and a young boy (Bryce Robinson) has to deal with his first crush in school. (Phew.)

Review: It’s a huge morass of interconnected plot lines and characters, all revolving around the theme of love. However, the one biggest failing of Valentine’s Day is how little comedy and romance there is in this supposed rom-com. Many of the storylines are not even given a decent amount of screentime, and are so perfunctory that they almost seem like a desperate attempt to up the star wattage of the movie to pull in more moviegoers. It doesn’t help that the central storyline is so boring and uninspired that the film sags every time these so-called central characters are featured.

There are a few stories that show more potential – the airplane story works because Bradley Cooper and Julia Roberts are immensely likeable in their roles and display some chemistry (which is sadly not the case in most of the other pairings), and Anne Hathaway has an absolute ball with her “adult phone entertainer” role and hams it up to the max, although the actual romantic development with this storyline is somewhat lacking. And then there’s the “surprise!” subplot that would potentially blindside some audiences – although it didn’t manage to “fool” this jaded moviegoer. Sadly, these storylines are not given enough time to fully develop, and it can get vexing when so much time is wasted on other inconsequential subplots, or worse, the insipid central plot. Valentine’s Day is a movie that would have benefitted immensely from some restraint and editing.

It’s interesting to see how Garry Marshall managed to somewhat drop the ball on this project. It’s a formula that has been done before (see Love, Actually for a far better take on the same theme), and Garry Marshall had practically made his name exclusively in this genre. Whilst Valentine’s Day is not a bad movie, too much of the film feels tired and uninteresting. The few bright spots and funny moments are unable to outweigh the flotsam and jetsam that make up the rest of the movie. The number of stars involved will probably still ensure this is a commercial success, helped somewhat by the fact that this is the only love-related movie released over this Valentine’s Day long weekend, but if you really want a romance fix this holiday period, why not try renting Love, Actually instead?

Rating: ** (out of four stars)

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Jump * *

Genre: Romantic Comedy

Director:  Stephen Fung

Writers: Stephen Fung and Tsang Kan-Cheung, based on an original story by Stephen Chow

Cast: Kitty Zhang, Leon Jay Williams

Running Length: 87 minutes

Opens:  14 January 2010

Synopsis: A young village girl by the name of Phoenix (Kitty Zhang) leaves for the big city to pursue her dreams to become a dancer, but reality bites and she almost loses hope of ever fulfilling her ambitions. That is, until she becomes a part-time cleaner at a dance school, and sparks fly between Phoenix and Ron (Singapore’s own Leon Jay Williams), the wealthy and handsome playboy owner of the school.

Jump, like 99% of romantic comedies out there, brings nothing new to the table, and in this case the chemistry between Kitty Zhang and Leon Jay Williams (who was brought in to replace Edison Chen following his sex scandal) isn’t even particularly strong. However, what manages to save the movie is Kitty Zhang’s spirited performance, which is so earnest that one can’t help but root for her success.

Although Stephen Chow is credited as simply providing the original story of which the screenplay is based on, there seems to be more than a fair share of “Chow-isms” in the film, which most memorably includes a really zany musical number at the beginning, and the running gag of a transgendered village “girl” who can’t seem to stop scratching her own boobs. The humour in Jump tends towards the lowbrow, but I find it’s entertaining enough to warrant some laughs (especially if you’re a fan of Stephen Chow’s brand of humour).

What I also appreciated was that the “believe in yourself” message that Jump carries is delivered with some modicum of finesse, unlike many Asian films that love to make it as blatant and blunt as possible (yes I’m looking at you, Jack Neo). Once again it’s nothing that we haven’t seen before, but at least Stephen Fung doesn’t try to smack audiences senseless with the message.

Unfortunately, the central theme of the movie is also the film’s weakest aspect. The dancing, I’m sad to say, ranges from average to plain bad. Kitty Zhang purported learned to dance specifically for her role but her moves come across as being rather stilted and unnatural. It doesn’t help that her stand-in is painfully easy to spot even in the shortest of scenes. Even the final showdown lacks the visual punch of typical dance movie finales, and the overly rapid editing used in the finale does not help at all.

Jump is a relatively decent comedy that is almost an even mix of hits and misses, and whilst it’s by no means a great movie, it isn’t entirely a waste of time either, unlike many Asian releases of late.

Rating: * * (out of four stars)

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