Directors: Andrew Stanton, Angus McLane
Screenplay: Andrew Stanton, Victoria Strouse
Voice Cast: Ellen DeGeneres, Albert Brooks, Ed O’Neill, Kaitlin Olson, Diane Keaton, Eugene Levy, Hayden Rolence, Ty Burrell, Idris Elba, Dominic West, Sigourney Weaver
Running Length: 103 minutes
Synopsis: Finding Dory welcomes back to the big screen everyone’s favorite forgetful blue tang Dory (Ellen DeGeneres), who’s living happily in the reef with Nemo (Hayden Rolence) and Marlin (Albert Brooks). When Dory suddenly remembers that she has a family out there who may be looking for her, the trio takes off on a life-changing adventure across the ocean to California’s prestigious Marine Life Institute, a rehabilitation center and aquarium. Deftly navigating the complex inner workings of the MLI, Dory and her friends discover the magic within their flaws, friendships and family.
Review: Dory is the most memorable character in Finding Nemo, and it is only natural that the sequel would revolve around her. While the movie title is “Finding Dory”, it doesn’t really refer to the physical act of locating a lost Dory (though she is, repeatedly), but more to Dory’s journey of self-discovery. It is an engaging tale, though somewhat less compelling than that of Finding Nemo (finding your lost child feels like more urgent an issue than looking for one’s parents, no matter how you cut it), and there are several sequences that are come too close to the original that they almost feel like a rehash.
However, director/writer Andrew Stanton and his capable crew manages to inject a lot of new together with the old, most notably an entirely new roster of animals that Dory et al manage to befriend along the way, including a gruff but lovable octopus, Hank; a near-sighted whale shark Destiny; a beluga whale named Bailey who is convinced his echolocation is not working; and a pair of sea lions named Fluke and Rudder, who are oddly and obsessively possessive of the rock they are resting on.
These characters help to deliver the big laughs in the film, but there’s also a more serious undercurrent in Finding Dory – that of overcoming one’s disabilities and imperfections, since almost all these animals are “damaged” in one way or another. This expands upon the theme that was already found in Finding Nemo, with Nemo’s bum fin and Dory’s short term memory loss. That an animated film has managed to deal with the subject matter in a much more nuanced and profound manner than most live-action films have, speaks volumes about the strength of writing that can be found in Finding Dory. While the film can’t really claim to be a tearjerker, there are moments in Finding Dory which will are almost certain to resonate emotionally with older audiences, especially parents.
Pixar has always delivered the goods on the visual front, and Finding Dory is no exception. The underwater world is even more alluring than before, and the visual richness in the film is truly a sight to behold. The character designs are top notch, with none more excellent than that of Hank, who is truly spectacularly animated. Not only are Hank’s movements entirely believable, the production crew clearly had a great time exploring an octopus’ camouflage abilities, using it to terrific effect at various points in the movie. I did not watch the film in 3D (and honestly I don’t think it will be much of an enhancement) but the visuals really popped – similar to Finding Nemo, this is a movie that would take multiple viewings to take in everything it has to offer.
While Finding Dory doesn’t manage to meet the lofty heights of Pixar’s best, particularly in the final reel where honestly, the wheels of the plot do come off a bit (albeit in an entertaining manner), it still remains an extremely easy recommendation for both young and old audiences alike.
Rating: * * * ½ (out of four stars)